AAM Recognizes 8 Individuals and 4 Institutions for Exemplary Work in the Museum Field

Category: Press Release
Graphic reads "Awards and Recognition Program"

For Immediate Release

ARLINGTON, VA – The Board of Directors of the American Alliance of Museums (AAM), the only organization representing the entire scope of the museum community, today announced the individuals, programs, and institutions recognized for their outstanding contributions to the museum field. These honorees showcase the vital role that every museum professional plays in building thriving museums, strong communities, and a better world. Eight individuals and four institutions are being recognized by this year’s AAM Awards, which celebrate the vital work that propels the museum field forward.

Chair’s Leadership Award

For 2025, AAM Board Chair Jorge Zamanillo announced a Chair’s Leadership Award to honor outstanding leadership and extraordinary accomplishments.

Marinela Servitje

Marinela is a Mexican leader and cultural innovator who has profoundly influenced the museum landscape in Mexico and the USA. With over 18 years as the Director of the Papalote Children’s Museum, she transformed it in the 1990s into the world’s most-visited children’s museum, attracting over 20 million visitors. Additionally, she created “Papalote Móvil,” a traveling museum designed to reach all children in Mexico, including Indigenous communities. As the Chairwoman of Sietecolores, Marinela has developed 12 interactive cultural spaces worldwide, with high impact projects in Mexico, the USA, Panama, and Saudi Arabia. Her exceptional leadership and networking skills foster collaborations across borders, establishing important cross-cultural connections with various institutions in the USA. Her achievements include the Award for Cultural Patronage and the Award for Educational Leadership. As an advisor in the Human Capital area for G20 leaders, her work exemplifies the enduring friendship between Mexico and the USA, enriching educational experiences for diverse communities.

Distinguished Service Award

The Distinguished Service to Museums Award recognizes an individual’s significant and sustained contributions to the museum profession for at least 20 years.

Richard West, Smithsonian Institution’s National Museum of the American Indian and Autry Museum of the American West

W. Richard West, Jr. is Founding Director and Director Emeritus of the Smithsonian Institution’s National Museum of the American Indian and President and CEO Emeritus, Ambassador, Native Communities, of the Autry Museum of the American West. He is a citizen of the Cheyenne and Arapaho Tribes and a member of the Society of Southern Cheyenne Peace Chiefs. West served as Chair of the Board of Directors of the American Alliance of Museums (1998 – 2000) and Vice President of the International Council of Museums (2007 – 2010). His current board affiliations include: Association of Tribal Archives, Libraries, and Museums; Cheyenne and Arapaho Business Development Corporation; Cheyenne and Arapaho Museum Foundation; International Coalition of Sites of Conscience; Denver Art Museum; The MICA Group; and UCLA Institute of Environment and Sustainability. West previously served on the boards of the Ford Foundation, Stanford University, and the Kaiser Family Foundation. He has been awarded eleven honorary doctorate degrees.

Nancy Hanks Award for Rising Stars

The Nancy Hanks Memorial Awards for Rising Stars recognize museum professionals who have ten years or fewer of experience as museum professionals who are making an impact in their institutions, communities, and the museum field.

Jose ‘Jojo’ Galvan Mora – Northwestern University and Chicago History Museum

Jojo Galvan is a PhD Candidate in History at Northwestern University and a Digital Humanities Fellow at the Chicago History Museum. Jojo’s experience includes working as an archivist for the Midwest Nursing History Research Center, where he led the Mapping Care Project, a digital humanities platform of oral histories, research, and archival mapping focused on the history of Black nurses in Chicago. He also served as project manager for the former AAM Excellence in Exhibition Label Writing Competition. His work in museums also includes teaching Spanish-language museum studies courses to adult learners for the Illinois Humanities Odyssey Project, a no-cost higher education program for underserved communities. Jojo is a steadfast believer in the power of museums to transform and reaffirm individual and collective identities for the greater good. To that end, he also operates a museum consulting business focused on Spanish-language translation of gallery text and educational materials.

Neecole Gregory – Morton Museum of Collierville History & Fogelman Galleries of Contemporary Art

Neecole Gregory is currently the Museum Director at the Morton Museum of Collierville History, the Gallery Coordinator of the Martha & Robert Fogelman Galleries of Contemporary Art, and an adjunct instructor in art and art history. With a background in Classical Studies, Archaeology, and Museum Studies, she is passionate about preserving and interpreting history for diverse audiences while advocating for her fellow emerging museum professionals. Through her work with the National Emerging Museum Professional Network, Neecole champions inclusivity, equitable compensation, and professional development. Her expertise includes developing award-winning exhibitions, overseeing collections, and creating innovative programming that highlights the rich histories of marginalized communities. She is committed to making museums more accessible, inclusive, and reflective of the communities they serve.

Rahim Thompson – Illinois Holocaust Museum & Education Center

Rahim Thompson is the Senior Program Manager at the Illinois Holocaust Museum & Education Center (IHMEC), where he leads high-impact public programming, projects, and global social justice initiatives. In four years, he has spearheaded more than 200 public programs, 11 exhibition grand openings, two global anti-hate initiatives, and cultivated more than 100 community partnerships, engaging tens of thousands worldwide. His leadership has driven record-breaking attendance and programs featuring Pulitzer Prize and Emmy Award-winning talent, helping position IHMEC as a national leader in dynamic Holocaust and human rights education. His success earned him a promotion and the opportunity to join the project team expanding the Museum’s award-winning Survivor Stories Experience, which uses advanced interactive XR technology to preserve and share survivor testimonies. Recognized as a 2024 PMI Future 50 Honoree, he is celebrated as one of the world’s top rising project leaders, shaping the future through team building, innovation, and strategic impact.

MaryAnn Guoladdle Parker – First Americans Museum

MaryAnn Guoladdle Parker is a curator, artist, and beadworker from the Kiowa Tribe. She currently works as an Assistant Curator at the First Americans Museum (FAM) in Oklahoma City, Oklahoma. She holds a Master’s of Cultural Administration with a focus in Arts Administration and Tribal Museum & Cultural Center Administration from the Institute of American Indian Arts (IAIA), as well as a bachelor’s in American History with a focus on Native American History from Oklahoma City University (OKCU). MaryAnn is a lifelong participant within her Kiowa community and brings that experience along with her formal education to benefit her professional work in museums. She is committed to preserving and sharing her Kiowa lifeways with the younger generation and honoring her ancestors within her work. Additionally, MaryAnn is the 2023-2025 treasurer for the Native American Art Studies Association (NAASA).

The Museum Impact Award

The Museum Impact Award highlights important and noteworthy work—for individuals, programs or initiatives, and institutions—that is driving impact and making a difference both internally through museum workplace culture and policies and externally through engagement with museum audiences and communities.

Recognition for Individuals:

Denisse Brito – University of Arizona Center for Creative Photography

Denisse Brito is a museum educator committed to fostering meaningful connections with art. As the Learning and Engagement Manager at the University of Arizona Center for Creative Photography, she brings enthusiasm and creativity to her project, designing engaging experiences for diverse audiences. Denisse collaborates with Southern Arizona communities to create programs that reflect various perspectives and stories. She prioritizes engaging, educating, and inspiring curiosity, ensuring that museum content is accessible and relatable, encouraging deeper understanding and personal reflection. By incorporating multiple languages into her work, she helps visitors connect more deeply with the art and its context. Additionally, Denisse advocates for mentorship, having mentored over twenty students in building practical skills for careers in the museum field. Her outreach efforts have supported increased community participation and introduced new visitors to the transformative power of art. With a thoughtful approach to museum education, Denisse continues to demonstrate how art can inspire personal connections and create lasting memories.

Rachael Tamngin – University of Washington

Rachael Gurwan Tamngin is a graduate student at the University of Washington pursuing her doctorate degree in Sociocultural Anthropology. She is of mixed background – Pacific Islander and White – from the Micronesian Island of Waqab (Yap). Her current research explores intersections between museums, Anthropology, Pacific Studies, and health. Rachael is interested in centering within her practice the many systems and institutions in place that prevent Pacific Islander communities from accessing culturally responsive and sustaining resources. She believes that museums, sites of historical and continuing colonial violence, have the potential to host transformative “counterspaces” that allow Pacific Islander students to enact community building and healing.

Recognition for Programs:

California Academy of Sciences

California: State of Nature—a new long-term exhibition at the California Academy of Sciences that opened in May 2024.

Focusing on the connections that enable California’s species, places, and people to thrive, the exhibition is a celebration of both the state’s abundant biodiversity and the human partnerships that help protect it. The exhibition’s vibrant design style departs from traditional natural history exhibits, providing a bright, joyful experience that makes science feel welcoming and accessible.

An room with soaring, high ceilings, people exploring the exhibits, and banners hanging from above "California: State of nature" with floral and fauna imagery.

The team worked with multiple external partners, including tribal members from across the state, to integrate Indigenous Science and community science alongside the Academy’s own research and efforts to regenerate the natural world. Tactile, audio, and scent-based interactives create multi-sensory experiences for various learning styles, and labels and media are translated into accessible English, Spanish, Traditional Chinese, and Filipino. Content and design elements throughout reinforce the message that humans are part of nature—not apart from it.

First Americans Museum

WINIKO: Reunions—a two-year research project initiated in 2023 at the First Americans Museums (FAM) in partnership with the National Museum of the American Indian (NMAI).

FAM challenges the idea that institutionally collected objects no longer have familial ties to cultural communities. The museum believes that reuniting institutionally collected cultural materials with their related communities and families is a benefit to the tribal nations and the collecting institutions, producing new knowledge and art benefiting museum audiences.

A group of children, descendents of Muscogee (Creek) Nation interact with vibrantly colored woven material.
WINIKO: Reunion, Chief McIntosh Descendents, Muscogee (Creek) Nation (October 7, 2024). Photo by Pursuit Film Productions.

In Fall 2024, FAM worked with the 39 tribal nations in Oklahoma to successfully create Reunions for 354 descendant families and community members with 76 items on loan from NMAI for the exhibition “WINIKO: Life of an Object.” The museum has identified a core practice they are preparing to publish as a book and a feature-length film to share broadly. FAM hopes that this work will inspire other museums to consider undertaking the same rewarding work with the communities related to their collections.

Tucson Museum of Art (TMA) and Historic Block

Community-Based Curation: A Toolkit for Expanding Narratives and Changing Practices

Available free to download on TMA’s website, this toolkit is a how-to-guide for museum practitioners interested in developing meaningful and sustaining relationships with communities as well as those looking to activate their collections and exhibitions through participatory and collaborative methods.

Two  people sitting on the floor of an exhibition room, smiling and reading a printed toolkit publication next to a stack of copies.

The toolkit was written with the contributions of 15 individuals, including community curators, volunteers, trustees, and staff, as well as the support and feedback from 27 partners. This resource contains sections punctuated with questions, opportunities for reflection, and takeaways to support museum professionals starting or sustaining community-based practices. Sections provide insights from collaborators that highlight how TMA expanded the representation of stories, histories, and creative practices. Museum professionals are guided to (re)consider the audiences they wish to serve, the objects they care for, and their regional contexts to develop new frameworks for participation, interpretation, and curation.

Recognition for Institutions:

Charlotte Museum of History

The Charlotte Museum of History (CMH) is committed to preserving and sharing North Carolina’s Piedmont region’s diverse history while ensuring accessibility and inclusion in all its programs. CMH expands historical narratives to reflect broader community perspectives by including stories of enslavement, women’s roles, and Indigenous histories, creating a more comprehensive understanding of Charlotte’s past. 

Through exhibits like Open Wide the Door: The Story of Mary Cardwell Dawson and the National Negro Opera Company, CMH highlights historically marginalized voices, ensuring African American contributions to the arts are recognized. The museum hosts annual celebrations for both African American and Latinx communities; the new audio tour of the homesite allows for greater accessibility for visitors, and admission programs like Museums for All aid in eliminating financial barriers to access, with 17% of daily admissions representing Title I students. 

Exterior of the museum, lit at night with front greenery in the drive up to the entrance.

Through these efforts, CMH remains a vital resource for learning, dialogue, and cultural enrichment in the Charlotte region. 


Join us in congratulating the 2025 AAM Award recipients for their outstanding work in elevating the impact of their programs and institutions and serving their communities steadfastly.

The AAM Awards Program is designed to be accessible, inclusive, and relevant to the broad scope of the museum field. Recognition of multiple honorees in certain categories highlights the scope of exemplary work across all types of museums and roles in the museum field.

Awards will be presented at the 2025 AAM Annual Meeting & MuseumExpo in Los Angeles.

About the American Alliance of Museums

The American Alliance of Museums (AAM) is the only organization representing the entire museum field, from art and history museums to science centers and zoos. Since 1906, we have been championing museums through advocacy and providing museum professionals with the resources, knowledge, inspiration, and connections they need to move the field forward.

 

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Press Contact:

Natanya Khashan
media@aam-us.org

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